The Godfather Redbox

175 minutes
Francis Ford Coppola, Mario Puzo

Francis Ford Coppola
Genres=Drama
Average rating=9,2 of 10

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The Godfather Watch stream new albums. The Godfather Watch stream of consciousness. The godfather watch streamers. A Corleone family portrait. “The Godfather” is told entirely within a closed world. That’s why we sympathize with characters who are essentially evil. The story by Mario Puzo and Francis Ford Coppola is a brilliant conjuring act, inviting us to consider the Mafia entirely on its own terms. Don Vito Corleone ( Marlon Brando) emerges as a sympathetic and even admirable character; during the entire film, this lifelong professional criminal does nothing of which we can really disapprove. During the movie we see not a single actual civilian victim of organized crime. No women trapped into prostitution. No lives wrecked by gambling. No victims of theft, fraud or protection rackets. The only police officer with a significant speaking role is corrupt. The story views the Mafia from the inside. That is its secret, its charm, its spell; in a way, it has shaped the public perception of the Mafia ever since. The real world is replaced by an authoritarian patriarchy where power and justice flow from the Godfather, and the only villains are traitors. There is one commandment, spoken by Michael ( Al Pacino): “Don’t ever take sides against the family. ” It is significant that the first shot is inside a dark, shuttered room. It is the wedding day of Vito Corleone’s daughter, and on such a day a Sicilian must grant any reasonable request. A man has come to ask for punishment for his daughter’s rapist. Don Vito asks why he did not come to him immediately. “I went to the police, like a good American, ” the man says. The Godfather’s reply will underpin the entire movie: “Why did you go to the police? Why didn’t you come to me first? What have I ever done to make you treat me so disrespectfully? If you’d come to me in friendship, then this scum that ruined your daughter would be suffering this very day. And if, by chance, an honest man like yourself should make enemies... then they would become my enemies. And then they would fear you. ” As the day continues, there are two more scenes in the Godfather’s darkened study, intercut with scenes from the wedding outside. By the end of the wedding sequence, most of the main characters will have been introduced, and we will know essential things about their personalities. It is a virtuoso stretch of filmmaking: Coppola brings his large cast onstage so artfully that we are drawn at once into the Godfather’s world. The screenplay of “The Godfather” follows no formulas except for the classic structure in which power passes between the generations. The writing is subtly constructed to set up events later in the film. Notice how the request by Johnny Fontane, the failing singer, pays off in the Hollywood scenes; how his tears set up the shocking moment when a mogul wakes up in bed with what is left of his racehorse. Notice how the undertaker is told “someday, and that day may never come, I will ask a favor of you... ” and how when the day comes the favor is not violence (as in a conventional movie) but Don Vito’s desire to spare his wife the sight of their son’s maimed body. And notice how a woman’s “mistaken” phone call sets up the trap in which Sonny ( James Caan) is murdered: It’s done so neatly that you have to think back through the events to figure it out. Now here is a trivia question: What is the name of Vito’s wife? She exists in the movie as an insignificant shadow, a plump Sicilian grandmother who poses with her husband in wedding pictures but plays no role in the events that take place in his study. There is little room for women in “The Godfather. ” Sonny uses and discards them, and ignores his wife. Connie ( Talia Shire), the Don’s daughter, is so disregarded that her husband is not allowed into the family business. He is thrown a bone--”a living”--and later, when he is killed, Michael coldly lies to his sister about what happened. The irony of the title is that it eventually comes to refer to the son, not the father. As the film opens Michael is not part of the family business, and plans to marry a WASP, Kay Adams ( Diane Keaton). His turning point comes when he saves his father’s life by moving his hospital bed, and whispers to the unconscious man: “I’m with you now. ” After he shoots the corrupt cop, Michael hides in Sicily, where he falls in love with and marries Appolonia (Simonetta Stefanelli). They do not speak the same language; small handicap for a Mafia wife. He undoubtedly loves Appolonia, as he loved Kay, but what is he thinking here: that he can no longer marry Kay because he has chosen a Mafia life? After Appolonia’s death and his return to America, he seeks out Kay and eventually they marry. Did he tell her about Appolonia? Such details are unimportant to the story. What is important is loyalty to the family. Much is said in the movie about trusting a man’s word, but honesty is nothing compared to loyalty. Michael doesn’t even trust Tom Hagen ( Robert Duvall) with the secret that he plans to murder the heads of the other families. The famous “baptism massacre” is tough, virtuoso filmmaking: The baptism provides him with an airtight alibi, and he becomes a godfather in both senses at the same time. Vito Corleone is the moral center of the film. He is old, wise and opposed to dealing in drugs. He understands that society is not alarmed by “liquor, gambling... even women. ” But drugs are a dirty business to Don Vito, and one of the movie’s best scenes is the Mafia summit at which he argues his point. The implication is that in the godfather’s world there would be no drugs, only “victimless crimes, ” and justice would be dispatched evenly and swiftly. My argument is taking this form because I want to point out how cleverly Coppola structures his film to create sympathy for his heroes. The Mafia is not a benevolent and protective organization, and the Corleone family is only marginally better than the others. Yet when the old man falls dead among his tomato plants, we feel that a giant has passed. Gordon Willis ’ cinematography is celebrated for its darkness; it is rich, atmospheric, expressive. You cannot appreciate this on television because the picture is artificially brightened. Coppola populates his dark interior spaces with remarkable faces. The front-line actors--Brando, Pacino, Caan, Duvall--are attractive in one way or another, but those who play their associates are chosen for their fleshy, thickly lined faces--for huge jaws and deeply set eyes. Look at Abe Vigoda as Tessio, the fearsome enforcer. The first time we see him, he’s dancing with a child at the wedding, her satin pumps balanced on his shoes. The sun shines that day, but never again: He is developed as a hulking presence who implies the possibility of violent revenge. Only at the end is he brightly lit again, to make him look vulnerable as he begs for his life. The Brando performance is justly famous and often imitated. We know all about his puffy cheeks, and his use of props like the kitten in the opening scene. Those are actor’s devices. Brando uses them but does not depend on them: He embodies the character so convincingly that at the end, when he warns his son two or three times that “the man who comes to you to set up a meeting--that’s the traitor, ” we are not thinking of acting at all. We are thinking that the Don is growing old and repeating himself, but we are also thinking that he is probably absolutely right. Pacino plays Michael close to his vest; he has learned from his father never to talk in front of outsiders, never to trust anyone unnecessarily, to take advice but keep his own counsel. All of the other roles are so successfully filled that a strange thing happened as I watched this restored 1997 version: Familiar as I am with Robert Duvall, when he first appeared on the screen I found myself thinking, “There’s Tom Hagen. ” Coppola went to Italy to find Nino Rota, composer of many Fellini films, to score the picture. Hearing the sadness and nostalgia of the movie’s main theme, I realized what the music was telling us: Things would have turned out better if we had only listened to the Godfather. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. The Godfather (1972) Rated R 175 minutes about 21 hours ago 1 day 2 days ago.

The Godfather Online HBO 2020 Watch Online, The Godfather Here is the link english download. STORE COMMUNITY ABOUT SUPPORT Install Steam login | language The Godfather All Discussions Screenshots Artwork Broadcasts Videos News Guides Reviews 7 in Group Chat View Stats Most popular community and official content for the past week. (? ) Loading © Valve Corporation. All rights reserved. All trademarks are property of their respective owners in the US and other countries. Some geospatial data on this website is provided by. Privacy Policy | Legal | Steam Subscriber Agreement View mobile website. Watch the godfather online stream. The Godfather Watch streaming. The Godfather Watch streams. Watch the godfather streaming.

The godfather watch streamer. Level 1 Comment deleted by user 1 month ago More than 11 children level 2 Alfred Hitchcock with Carey Grant in North By Northwest, for the airplane in the field scene level 2 There’s also the exorcist. The reason the priest is so shaken at the end was that the director said “do you trust me”, actor said yes and BAM director slaps him and calls action, I’d google names but my stupid phone is dying level 2 You can"t make a list like this and not mention Kubrick and Duvall on the Shining. From Wikipedia: Kubrick intentionally isolated Duvall, and she was forced to perform the exhausting baseball bat scene 127 times. Afterwards, Duvall presented Kubrick with clumps of hair that had fallen out due to the extreme stress of filming. level 2 William Friedkin pulled some shit on the set of The Exorcist - fired guns on set to get reactions (blanks, im sure), kept the bedroom set freezing, and im pretty sure Ellen Burstyn permantly fucked her back up from a scene where they pulled her by a wire to simulate her getting pushed by Regan. level 2 The Blair witch was more of like a game while they were filming it they had the cast walk around the woods and go to checkpoints that had food and batteries and notes saying what general direction they want the plot to go but how it went that way was up to the actors in the moment level 2 This was posted a month ago and I went back and watched the clip. I can see being initially startled by the real head, but the guy sort of takes a few breaths in between screams and goes on for 15 or 20 seconds. It"s clearly not something where he completely lost it. level 2 Right? I mean, who wouldn"t be horrified at finding an actual horse head rather than a fake one, but there"s no reason to think that his reaction was going to be the kind they wanted for the scene. Why repeatedly rehearse a scene, then introduce something likely to make it go differently? level 2 Agree. The smell alone would be a giveaway. level 2 First head this story about 20 years ago so if it"s a lie, it"s a lie that"s been said for a long time. level 2 Likely real reaction: "Eww" level 2 I’m pretty sure the horse’s head is real, there was some story about them needing to get it from an abattoir thay morning or something, but I never heard of it being a surprise and I’m not buying that his screams were real either. level 2 I don"t buy shouting at the top of your lungs as a reaction to a sudden surprise in films anyways. If you get surprised you at most do a "woow" or something, not a full of scream. level 2 I never buy any of these “so their reaction was genuine” stories. The only one I kind of believe is DiCaprio accidentally cutting his hand in Django Unchained cause it seems like that would be pretty easy to do and to be able to act through it. But most of the time I hear things like “they accidentally cut the actor’s fingers off for real so his screams were genuine” and it’s all nonsense. level 2 Yeah how did they get that smelly old head into bed with the actor without him knowing it was real? And did they only do that one take? level 2 Agreed, it"s not really logical when you consider the logistics. How did they switch out the fake horse head with the real one without Marley noticing? It"s not like the dude was actually asleep and they filmed him waking up. He was conscious the entire time. level 2 I don"t know if it"s true, but I"ve always wondered because it looks like it"s real level 1 No, those screams were 100% not genuine. He"s 100% acting. level 2 Comment deleted by user 1 month ago More than 1 child level 1 I don’t believe it. Sounds like bullshit. You learn something new every day; what did you learn today? Submit interesting and specific facts about something that you just found out here. Reddit Inc © 2020. All rights reserved.

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